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Curatorial

Godperson93 at Temple Projects, Los Angeles (2025)
Holy Motors at Temple Projects, Los Angeles (2025)
Páthos at Temple Projects, Los Angeles (2024)
Sprezzatura at As It Stands, Los Angeles (2024)
Imperial, Los Angeles (2022 — 2024)
Poets, Gamblers, Fools: Jon Rafman & Parker Ito at Lubov, New York City (2023)

Writing

Press release for “Psychic... Powerless...” by Jake Fagundo at As It Stands, Los Angeles (2025)
Review of Denzil Hurley and Brian Sharp at Sebastian Gladstone, Caesura Magazine (2025)
Virtual Flâneur: Jon Rafman, Flash Art (2025)
Press release for “Wait Till the End” by Peppi Bottrop at Meyer Riegger, Karlsruhe (2025)
Rothko’s Paradox, Memo Magazine (2025)
Press release for “JUBGWGGS 2” at JUBG, Cologne (2024)
Press release for “Someone Who Isn’t Me” by Maeve Coughlin at Sulk, Chicago (2024)
Booklet Text for “Where the Future Grows” by Peppi Bottrop, Pilar Corrias, London (2024)
Press release for “American Baroque” at Sebastian Gladstone, Los Angeles (2024)
Interview with Jon Rafman and Parker Ito, King Kong Magazine (2024)
Press release for “Poets, Gamblers, Fools” at Lubov, New York City (2023)
Press release for “Don’t Die” at No Gallery, New York City (2023)
Press release for “Various Working Methods” by Nicolas Shake at Galerie Timonier, New York City (2023)
Press release for G.V. Rodriguez at Sebastian Gladstone, Los Angeles (2023)
Press release for “Moral Hazard” by Bjarne Bare at OSL Contemporary, Oslo (2023)
Review of “My Beloved” by Dominique Knowles at Hannah Hoffman Gallery, Flash Art (2023)
Press release for “Free Energy” at Zodiac Pictures, Los Angeles (2023)
Exhibition text for “Venus World” by Lucy Bull at the Long Museum, Shanghai (2023)
Jon Rafman Forever, Forever Magazine (2023)
Press release for “Lost Horizon 2” by AJ Kahn at As It Stands, Los Angeles (2023)
What was Post-Internet?: An Interview with Ann Hirsch and Parker Ito, Caesura Magazine (2023)
Press release for “Tidal” by Antonio Lopez and Samuel Linus Gromann at fffriedrich, Frankfurt (2023)
Review of Noelia Towers’ “Opening an Umbrella Indoors” at de boer gallery, Caesura Magazine (2022)
Introduction to the work of Justin Ortiz, Caesura Magazine (2022)
Review of Michael St. John’s “The Passions” at de boer gallery, Caesura Magazine (2021)
On Art and Freedom, Caesura Magazine (2021)
Disjecta Membra: Mad Love by André Breton, Caesura Magazine (2021)
Review of “Root-Bound” by JPW3 at Night Gallery, Caesura Magazine (2021)
Review of Lauren Quin in “Quickening” at Smart Objects, Caesura Magazine (2021)
Disjecta Membra: Georges Bataille’s “Story of the Eye”, Caesura Magazine (2021)
Review of Milano Chow at Bel Ami, Caesura Magazine (2020)
Response to Adam Lehrer’s “Art’s Moral Fetish”, Caesura Magazine (2020)
Angel of Kindness, Have You Tasted Hate?: On Darja Bajagić, Caesura Magazine (2020)

Symposia

System of Systems Podcast w/ Adam Lehrer, Safety Propaganda (2023)

Jon Rafman’s Dream Journal: Panel Discussion, Caesura Magazine (2020)

Music

OB0493 for odyXxey radio (2024)
OST for “Trigger” by Aaron Garcia Peretz (2023)
Odette (2022)
OST for “Punctured Sky” by Jon Rafman (2021)
Blisshole Vol. II (2020)
Blisshole Vol. I (2019)
Figure With Meat (2019)
Los Angeles [w/ Alex Fuhr] (2019)

grant.edward.tyler@gmail.com

Former Director @ imperial.gallery
Former Web Editor @ caesuramag.org

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